Sometimes it takes moving from one place to another, being extremely busy with work, renovating a new condo, dealing with some family matters and trying to sell the place you’ve been living in for the past year to realize that whatever you thought “busy” meant; it is probably nothing compared to how it has been lately.
Even though my blogging has continued to suffer, I still try to make time for movies. In the last three months I have managed to watch 25 films (11, 10 and 4 respectively). The average score in March was a decent 2.95/5, while April passed with a slightly better 3.1 and May was pretty great with an average of 3.875/5. Of the 25 films, four cracked the 4/5. First, it was the very bleak yet very powerful Oslo, August 31st, followed up by the very well-made documentary Life Itself that touches on the life of the late and great Roger Ebert., the moving doc Dear Zachary and the sensational Mad Max: Fury Road.
Below a summary, in order of viewing, with short reviews of each film I saw in the last 3 months. You might also notice quite a number of sci-fi films, especially those interested in robots and artificial intelligence:
Continue reading Months in review: March, April & May
During the past 3 slow months worth of blogging, I have seen many different films that have not enjoyed the benefit of a review. To try to catch up I offer a long collection of small reviews of most of the films I have watched in the last three months that did not get a review until now. A total of 24 films, a couple of which will get longer in-depth reviews. The highlights of the list are Weekend and Sunshine, both very different but very pleasant surprises.
I apologize in advance if this gets a little long. Enjoy:
The French Connection (1971)
Cast: Gene Hackman, Roy Scheider, Fernando Rey
Director: William Friedkin
Writers: Ernest Tidyman, Robin Moore (original novel), Howard Hanks
Rating: 3.5/5 (good)
Starring Gene Hackman in a now famous role as tough cop Jimmy Doyle, The French Connection is an intense thriller that takes place in the harsh New York winter of 1970.
Most of the success of the film is due to its intensity and realism, displaying some of the most exciting chase sequences ever put on film. These have surprisingly lost little of their power over time, feeling current even today (minus antiquated vehicles and fashion). The cast is also excellent, further enriching the well-crafted dynamic between cops, informants, low-lives and criminals. I just wish the film had focused less on the details and intricacies of case-solving and criminal chasing and more on character-building.
Continue reading Film Round-up: May, June & July