Tag Archives: Drive

Hiatus’ over. A review of the film “Only God Forgives” (2013)

With my 4th move in as many years, and all of the issues it brings (setting up internet, cable, utilities, etc); my mom’s visit to Chicago; a house warming and other birthday and good bye parties; I simply could not find time to update The Blog of Big Ideas in July.

With all of that behind me, I now give you my first full film review of the month: Only God Forgives

Only God Forgives

Continue reading Hiatus’ over. A review of the film “Only God Forgives” (2013)

The Best Films of 2011 (updated)

It comes 10 months into 2012 but, for the first time, I am confident enough to make my own list of the “best” films of 2011.

Imagine how important it was for me to wait until now to publish this list, that the film that eventually ends up at the top is one that I only managed to watch 3 weeks ago. Without it, this list would have been a crime against my own taste.

Instead of giving you a top 10 or a top 20, I simply give you a run-down of all of the films that received, at the very least, a 4/5 (very good) in my rating system. The result is that there are 17 films out of the almost 100 films from 2011 that I managed to watch, 11 of which received a 4/5, five films received a 4.5/5 and only one received the very rare 5/5.

Despite still missing some highly praised films released the previous solar year (it is impossible to cover them all), I now give you my favorite films of 2011 (and why they are) when we are already in October 2012:

Continue reading The Best Films of 2011 (updated)

The Blog of Big Ideas’ 1st Annual Vanguard Awards

Following my previous post in which I summarized my thoughts about film in 2011, I think it would be interesting to continue the so-called “Vanguard Award” idea and expand it to include categories that are handed out in the Academy Awards.

The Vanguard Awards will be handed out by The Blog of Big Ideas to films, actors, and film makers that advanced cinema with their artistic vision and dexterity, helping to construct some of the most interesting pieces of art of the last year. It will be an annual award handed out on the same day as the Oscars. In subsequent posts of this coming year, I will be nominating films that I think should be given consideration until it all comes to a close with the awards themselves.

The Vanguard Award will be given to films of artistic relevance, where there are aspects that are unique, original and that may even be considered ahead of its time. This is not to say that the recognition I give to these films necessarily means that these are the films I thought were the best, just the most thought-provoking.

♦ Vanguard Film ♦

Nominees:

Drive (Nicholas Winding Refn)

Melancholia (Lars Von Trier)

The Tree of Life (Terrence Malick)

Take Shelter (Jeff Nichols)

Bellflower (Evan Glodell)

Continue reading The Blog of Big Ideas’ 1st Annual Vanguard Awards

2011 in film, a preview to the Oscars

Seeing that the Academy Awards are just around the corner, I would like to cave to the award craze and present a list that is representative of my take on the last year in film, which is intended to be a substitute of the top 10 of 2011, which I still can’t publish because I’m missing some promising films. I hope you all enjoy it.

The Year of Brad: arguably the best year in Brad Pitt’s career as he was involved in the awe-inspiring Tree of Life and the touching Moneyball.

Continue reading 2011 in film, a preview to the Oscars

1-minute reviews: Drive, Conan: The Barbarian, The Verdict, Rise of the Planet of the Apes and Senna

Even though I’ve slacked a little with my IMDB TOP 250 challenge, I’ve certainly continued to watch films that range from the brand new releases to some old favorites.

Here are my brief reviews of the latest films I have had the pleasure to watch:

Drive (2011): this is one of the most interesting movies I have seen in a while. So many different aspects that are worth analyzing. French director Nicolas Refn moves to Hollywood and delivers, together with Ryan Gosling, a thrilling visual experience with a lot of heart. It is also a tribute to cinema, often feeling like an art-house experiment that evokes the pace and the feel of the great “Taxi Driver”. In many ways, it is a modern revision of the Scorsese film featuring a incredibly handsome hero that is not much of a hero, but one who we cannot resist nonetheless.

Its pace might be frustrating and the story might not be the most creative we have seen this year, but it is certainly a thrilling experience unlike most.

Rating: 4 out of 5 (very good)

The Verdict (1982): this is the story of an unremarkable-divorced-old-lawyer scrapping for work in New York City. A man that drinks and stumbles around town aimlessly who one day happens to come across a case that has the potential to change his life. The film is, above all, the stage to a very powerful performance by the unforgettable Paul Newman who, for the first time in his career, looked tired and vulnerable. The film starts out slow, presenting a man on the verge of total collapse, with an eroded moral sense and a lack of self-respect. As Paul Newman starts to regain control, although never completely, we start to understand the fragility of this man and how much he needs this case to salvage whatever is left of his broken spirit.

The film is touching at times mostly due to a finely tuned script that was made to fit a virtuoso performance by one of the ultimate greats under the watchful eye of a director’s director: Sidney Lumet.

Rating: 4 out of 5 (very good)

Senna (2011): little could have gone wrong with this documentary if enough care was given in telling the amazing story of Ayrton Senna Da Silva. The late Brazilian F1 driver was as fascinating in film as he was in life. He was handsome, outgoing, friendly and extremely talented. He was a risk-taker, an emotional and passionate person who loved life to the point of risking it often. The documentary focuses on his career, often zooming into his expressive eyes, talking about his incredible talent and love for the sport. The film is effective in that it makes us fall in love with Senna as a person even when we know little besides his F1 carreer. For fans of the sport (myself included), it was an opportunity to relive a tragic moment that most of us would rather forget. Senna is a tragic love story about a man that was capable of rallying an entire country and an entire sport around him.

Rating: 4 out of 5 (very good)

Conan: The Barbarian (2011 remake): It is time for Hollywood to understand that there are certain films that do not need a remake. Conan was made famous a few decades back because of a young and muscular rising star born in Austria who would eventually become so universal he can be referred to as simply “Arnold”. Now the year is 2011 and yet another buff attractive actor comes to the fore and accepts a role that catapulted another similar story to fame.

One must understand that its predecessor did not make Arnold more famous due to its quality. Far from it. In fact, it probably had more to do with the distasteful and continuous violence that combined with half-dressed women and men, some of whom were amazingly gorgeous, catapulted that film to fame. The remake played around with the story and took itself a bit too seriously. It was overwrought, cliche, tacky and excessively lengthy. The action sequences were entertaining at first, but the systematic staging of the battles fueled by the purest of desire for revenge quickly got tiresome.

I was inclined to walk out after seeing the manner in which Conan was born, but the film picked up just enough to make me want to finish watching.

Rating: 2 out of 5 (bad)

Rise of the Planet of the Apes (2011 remake): Unlike the previous film, no one could have convinced me a couple of years ago to have given an endorsement for the making of another remake of the famous Planet of the Apes saga. It is not the most interesting of stories out there, failing to generate anything remarkable the last time it was remade with Mark Whalberg in the lead. However, the franchise revitalized itself with a strong cast, a smart director and, above all, a very respectable script. One of the film’s most successful aspects is that it chooses to focus on the touching yet thrilling story of Cesar, the lead ape, whose fluid humanoid behavior proved to be excitingly unpredictable. The film as a whole possesses a good pace, rarely stopping to let the viewer catch a breath. For its thrills, the depth of the script and the sleekness of the story, the 2011 remake of the classic might just end up being the best remake of the year.

Rating: 4 out of 5 (very good)

Niels