In anticipation to the 89th Academy Awards, I have decided, unlike years prior, to post a list of my favorite films released in 2016. As it were, this is an ever-changing list which will shift and evolve as years pass, as both my tastes and my impressions on filmmaking continue to change. This is also, I presume, an incomplete list missing some highly praised bits of cinema like: The Hunt for the Wilderpeople, Toni Erdmann, The Salesman, 20th Century Women, Paterson, Elle, Fences, Lion, and some others. With that in mind, I’m satisfied with the collection of more than 60 films I did manage to watch that were released in the US in 2016. The list of “favorites” adds up to 15 films, which represents the amount of movies that I gave at least a 4 out of 5 rating.
At the end of the post I will also offer some thoughts on the top categories for the Oscars, regarding who should win and who will likely be taking an statuette back home.
Continue reading Preview to the Academy Awards. Best Films of 2016
In the last three months I have maintained my quota of watching 10-12 films per month, but my blogging has suffered terribly. My commitment in the short term is to get back to posting more often. The attempt to do so begins with this massive recap of films I have seen recently. In addition, I already have finished two other postings that I plan to publish in the coming days. One is a full review of Alfred Hitchcock’s Notorious, my 6th review in my marathon of the director (which needs to pick up). The other is a special look at the largely overlooked Netflix original show “Orange is the New Black” which will kick-off Television reviews in this blog.
Without further ado, here is a compendium of short reviews of all the films watched this past summer (in no particular order):
Continue reading Mega Film Recap: July, August & September
Following my previous post in which I summarized my thoughts about film in 2011, I think it would be interesting to continue the so-called “Vanguard Award” idea and expand it to include categories that are handed out in the Academy Awards.
The Vanguard Awards will be handed out by The Blog of Big Ideas to films, actors, and film makers that advanced cinema with their artistic vision and dexterity, helping to construct some of the most interesting pieces of art of the last year. It will be an annual award handed out on the same day as the Oscars. In subsequent posts of this coming year, I will be nominating films that I think should be given consideration until it all comes to a close with the awards themselves.
The Vanguard Award will be given to films of artistic relevance, where there are aspects that are unique, original and that may even be considered ahead of its time. This is not to say that the recognition I give to these films necessarily means that these are the films I thought were the best, just the most thought-provoking.
♦ Vanguard Film ♦
Drive (Nicholas Winding Refn)
Melancholia (Lars Von Trier)
The Tree of Life (Terrence Malick)
Take Shelter (Jeff Nichols)
Bellflower (Evan Glodell)
Continue reading The Blog of Big Ideas’ 1st Annual Vanguard Awards
Seeing that the Academy Awards are just around the corner, I would like to cave to the award craze and present a list that is representative of my take on the last year in film, which is intended to be a substitute of the top 10 of 2011, which I still can’t publish because I’m missing some promising films. I hope you all enjoy it.
The Year of Brad: arguably the best year in Brad Pitt’s career as he was involved in the awe-inspiring Tree of Life and the touching Moneyball.
Continue reading 2011 in film, a preview to the Oscars
In this post of “1-minute reviews” I analyze three films that I have seen over the last couple of weeks: Melancholia, Baaria and The Devil’s Double.
Melancholia (Lars Von Trier – 2011)
If judged from a purely visual standpoint, the latest film by Danish director Lars Von Trier is as stunning as anything you will see in theaters on this or any year. The large mansion, the expansive landscapes and the endless skies all serve to build a cinematography that is elegant and captivating, setting the stage for extremely detailed characters that express a plethora of emotions that range from complete and utter desperation to a quiet sense of resignation.
Continue reading 1-minute reviews: Melancholia, Baaria and The Devil’s Double