How quickly do months fly by when you are busy. It seems like only a week ago I posted my last review. As quickly as my newfound motivation to blog a bit more came to me on January 1st, as quickly it evaporated not from a lack of desire, but from a lack of energy.
With a bit of a delay, I share with you my brief thoughts on the films I had the chance to watch in the last month of 2015 and the first of 2016. A total of 21 films were watched, 12 in December and 9 in January. The average rating was a very good 3.35 out of 5. The following are ordered in the way they were seen:
Continue reading Months in Review: December & January (2016)
After eight feature films and an ever more recognizable brand of cinema, we have come to expect a certain type of movie from Quentin Tarantino. He is, in many ways, the gold standard for many young and unapologetic film makers out there that think they have a new and distinct vision to share with the world. In the 1990s, Tarantino represented a break from Hollywood formulas that had been in place for most of the 1980s (with a few exceptions of course). To supplement his unique style of film making, Tarantino had the kind of rebellious anti-establishment personality to match that made his work instant cult favorites.
Continue reading Film Review: The Hateful Eight (2015)
It is hard not to be fan of the work of Quentin Tarantino when you watch his very bold first entry into the history of film: the violent, crude, confident and testosterone-filled Reservoir Dogs from 1992.
Continue reading 3 years’ worth of blogging and a review of Reservoir Dogs
Due to the holidays and a substantially less demanding workload, I was able to watch more than my usual amount of films, reaching a total of 17 films in 31 days (I actually watched Movie 43 in December, but decided to include it in my previous monthly recap).
The average score for the last month of 2013 was a respectable 2.88. However, I only watched two films that cracked 4 out of 5 or more, with only Reservoir Dogs as a clear candidate to comfortably make my much-delayed Top 250 favorite film list. Worthy of notice is that December was also very 2013-heavy, with 12 films released in the last solar year, and only one film, the aforementioned Reservoir Dogs, that was released before the turn of the 21st century.
Here are the films in the order in which I watched them:
THE FACTORY (2012) [2.5/5]
Continue reading Month in review: December films
Now that we have arrived to the beginning of May and I haven’t been able to post in over two weeks, I thought I would summarize my film watching of the last two months with a mammoth list of mini-reviews. 22 films in 61 days. Not a great number, but I’ve done worse. Here it goes:
A terribly uninspiring story line masked by awesome special effects and handsome set designs. Oblivion is one more nail in the coffin for the career of Tom Cruise, the former world’s biggest movie star. Though he may still prove his worth at the box office, his performance is easily forgettable, never once allowing us to forget his very bizarre off camera persona, nor making us empathize with his character.
Rating: 2/5 (poor)
Continue reading Month in Review: March & April films
Genre: Drama/ Comedy/ Thriller
Cast: Jamie Foxx (Django), Christoph Waltz (Dr. King Schultz), Leonardo DiCaprio (Calvin Candie), Samuel L. Jackson (Stephen), Kerry Washington (Broomhilda)
Writer/Director: Quentin Tarantino
It usually takes less than 30 seconds to be able to tell if you’re watching a Quentin Tarantino film. In Django Unchained, the director of modern classics like Pulp Fiction opens the story as he usually does: with a hell of a lot of confidence; the kind that drives him to splash the screen with huge blood red letters that go through the main credits as the soundtrack quickly asserts itself to the sound of the title song Django! (by L. Bacalov and R. Roberts). The tone is confident and the film declares its arrival without a second to spare. My appreciation of Tarantino has always been rooted in his attention to detail, where even something as seemingly trivial as the credits can become part of the narrative.
Continue reading Film Review: Django Unchained (2012)