The tail end of winter seems to have left us and, with it, the start of a new romance in my life. For that and other professional reasons, I have, once again, neglected this blog of mine. Even so, my appetite for movies remains unchanged even if life has a way of sneaking up on the time you thought you had.
In the last three months (February, March and April) I have watched a total of 24 films. The average rating for these has been a solid 3.34 out of 5. There have been a handful of highlights courtesy of a group of films from 2016 that sit among the best reviewed of the year. Such are Fences, Edge of Seventeen, Hidden Figures and Lion. However, I have also been disappointed with cinematic efforts that I was genuinely excited to see. Such are Florence Foster Jenkins, Ghost in the Shell and, to some extent, Hacksaw Ridge.
Continue reading Months in Review: February, March & April
Like I did with the men a couple of days ago, I give you my list of favorite female performances of the last five years in lieu of a best films of 2013 list as we are just hours away from celebrating the New Year.
I highly encourage anyone reading to make recommendations as to whom should have made my list instead.
Continue reading Top 10 female performances of the last 5 years
Genre: Drama/ Crime Thriller
Director: Steven Soderbergh
Writer: Scott Z. Burns
Cast: Rooney Mara (Emily Taylor), Jude Law (Dr. Jonathan Banks), Catherine Zeta-Jones (Dr. Victoria Siebert), Channing Tatum (Martin Taylor)
It is frightening to realize how consistent is the work of director Steven Soderbergh. His movies are never bad. Some of his work has been close to greatness but the majority just remain a touch above mediocrity.
Continue reading Film review: Side Effects (2013)
Nearing the conclusion of March, I’m still struggling to keep pace with my film reviews. Here are some of the latest films I have seen:
The Skin I Live In
Director: Pedro Almodovar
Cast: Antonio Banderas, Vera Elena Alaya
Pedro Almodovar once again delivers a delicately crafted film that is driven by tragedy, lunacy and, often times, depravity. The Spanish director dares to go where the majority might not, visiting dark, largely forbidden subjects that are very much non-existent in mainstream Hollywood. Almodovar goes beneath the sleek, often times simplistic view of sex that the film industry perpetuates as he explores a world driven by carnal desires and strange fetishes that often supersede moralistic considerations, defying social norms and challenging the viewer to reevaluate his own set of values.
Continue reading Mini Film reviews: February & March (part 2)
Following my previous post in which I summarized my thoughts about film in 2011, I think it would be interesting to continue the so-called “Vanguard Award” idea and expand it to include categories that are handed out in the Academy Awards.
The Vanguard Awards will be handed out by The Blog of Big Ideas to films, actors, and film makers that advanced cinema with their artistic vision and dexterity, helping to construct some of the most interesting pieces of art of the last year. It will be an annual award handed out on the same day as the Oscars. In subsequent posts of this coming year, I will be nominating films that I think should be given consideration until it all comes to a close with the awards themselves.
The Vanguard Award will be given to films of artistic relevance, where there are aspects that are unique, original and that may even be considered ahead of its time. This is not to say that the recognition I give to these films necessarily means that these are the films I thought were the best, just the most thought-provoking.
♦ Vanguard Film ♦
Drive (Nicholas Winding Refn)
Melancholia (Lars Von Trier)
The Tree of Life (Terrence Malick)
Take Shelter (Jeff Nichols)
Bellflower (Evan Glodell)
Continue reading The Blog of Big Ideas’ 1st Annual Vanguard Awards