Tag Archives: Scarlett Johansson

Months in review: March, April & May

Mad Max Fury

Sometimes it takes moving from one place to another, being extremely busy with work, renovating a new condo, dealing with some family matters and trying to sell the place you’ve been living in for the past year to realize that whatever you thought “busy” meant; it is probably nothing compared to how it has been lately.

Even though my blogging has continued to suffer, I still try to make time for movies. In the last three months I have managed to watch 25 films (11, 10 and 4 respectively). The average score in March was a decent 2.95/5, while April passed with a slightly better 3.1 and May was pretty great with an average of 3.875/5. Of the 25 films, four cracked the 4/5. First, it was the very bleak yet very powerful Oslo, August 31st, followed up by the very well-made documentary Life Itself that touches on the life of the late and great Roger Ebert., the moving doc Dear Zachary and the sensational Mad Max: Fury Road.

Below a summary, in order of viewing, with short reviews of each film I saw in the last 3 months. You might also notice quite a number of sci-fi films, especially those interested in robots and artificial intelligence:

Continue reading Months in review: March, April & May

The Best Moments in Film: A family drowns at a beach in Under the Skin

Under The Skin

I came out of the theater in a mix of frustration and puzzlement back in the summer of 2014. Jonathan Glazer’s Under The Skin was, and still is, many moons later, a difficult film to embrace. Every shot seemed to stretch out into infinity, relentlessly demanding that we observe, analyze and break apart every moment and every bit of dialogue. For every thrilling bit of film reel that was full of mystery and suspense, there were equally frustrating shots that seemed void of substance.

Continue reading The Best Moments in Film: A family drowns at a beach in Under the Skin

A preview to the Academy Awards

 

The 85th Academy Awards® will air live on Oscar® Sunday, February 24, 2013.

There is something mystical about the Academy Awards. Even when actors and directors and cinematographers try to deny it, the Oscar remains Hollywood’s grandest and most cherished prize. Despite the glaring omissions that plague the list of winners and nominations every year, The Academy gets it right sometimes, which is more than many awards shows can say. It helps, of course, that the Academy is favored by a 87th year long history that when compared to the 72 years of the Golden Globes, or the 67 years of the Bafta, it makes the accolade all the more respectable and appreciated, if only for its accumulated wisdom over rivals.

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Reminiscing about the best & worst of 2014

Robin Williams

It’s been nearly a week since 2015 has begun to test our mettle. 2014 is now in the past and with it, a year filled with personal success that did not translate well into a lot of film watching and reviewing. It was, for me, an excellent year nonetheless, in which I was able to purchase my first property, finish my first marathon, visit Paris for the first time, and receive approval for a work visa to stay in the United States.

My blog suffered greatly in 2014 in part due to all of these activities and important “distractions”. I managed to post only 15 times in 12 months, and I watched 94 films that, when compared to 2013’s sum of 143 films, leaves a lot to be desired. With that in mind and with the resolve to improve greatly on these numbers, I look back at some of the best and worst experiences with film in the past year (following post to focus on TV and videogames). The following is not meant as a post about the “best films of 2014” (that will come in a later post when I begin to catch up), but rather as a summary of my own experiences with new and old releases.

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Best films of any year watched in 2014

July was a good and busy month. I’ve been preparing to run the Chicago Marathon this coming October, and running has now taken a significant chunk of my time, especially as the date gets closer and closer. Despite a hectic couple of weeks at work, I was finally able to dedicate a little bit more time to this blog of mine, and watch a few more films than I have recently. In lieu of my “best 2014 films of the first half of the year”, I offer my thoughts on the best films of ANY YEAR that I have managed to watch since January.

12-years-a-slave

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Catching up after the World Cup. 2014 in review

 

Christ_the redeemer

It’s been just over a month since my last post on this blog of mine. Though my attempt was to continue to keep it flowing with new reviews and monthly round-ups, there was this mammoth-size event looming on the horizon: the 2014 World Cup in Brazil.

Continue reading Catching up after the World Cup. 2014 in review

Months in review: March, April & May (part II)

Continued from last post.
Below a list of short reviews of films, books and videogames watched, read or played in the last couple of months. Due to unexpected delays, I had to add films that I’ve watched in May. Hopefully I can catch up by next month.

FILM: (cont.)

AMERICAN HUSTLE (2013) [4/5]

American Hustle

 

Probably the wildest and funniest film by director David O. Russell up to this point. Find my full review here.

Continue reading Months in review: March, April & May (part II)

Months in Review: March & April (part I)

Under The Skin

After a forced long hiatus, I’m back at blogging about some of my favorite things. In an effort to make this blog more representative of my interests, my monthly round-ups will now include short reviews of books read and videogames played (even if not completed) in addition to my usual run-down of films.
Below, the first part of a set of short reviews on anything I have had the pleasure to watch in the previous months.

Continue reading Months in Review: March & April (part I)

Film review: Her (2013)

Her

Until I watched Her, I was not really sure why I liked the films directed by Spike Jonze. When you watch them all together, looking at the evolving career of an artist, it becomes obvious that this a film maker interested in stories that speak about heartache, alienation, social awkwardness and the power of imagination and creativity. More importantly, Jonze’s films tend to be more substantive on larger metaphorical themes that are open to interpretation, and less focused on the specifics of a particular story. In other words, the story is a vehicle through which to express or hint at certain emotions and ideas.

Continue reading Film review: Her (2013)