Cast: Adèle Exarchopoulos (Adèle), Léa Seydoux (Emma)
Director: Abdellatif Kechiche
We believe Adèle’s emotions because they are spoken through her eyes. She may not say much, and she may keep a lot to herself, but her big hazel eyes are as expressive as the painterly strokes in a Monet canvas. Adèle is a young teenager full of life and creativity. She enjoys a good book and she believes in love, not necessarily in the cute tale of the couple that lives happily ever after, but in the passionate, mad, irrational and uncontrollable kind of love that has led to wars, murders and impressive heroics throughout human history.
It’s been just over a month since my last post on this blog of mine. Though my attempt was to continue to keep it flowing with new reviews and monthly round-ups, there was this mammoth-size event looming on the horizon: the 2014 World Cup in Brazil.
Continued from last post.
Below a list of short reviews of films, books and videogames watched, read or played in the last couple of months. Due to unexpected delays, I had to add films that I’ve watched in May. Hopefully I can catch up by next month.
AMERICAN HUSTLE (2013) [4/5]
Probably the wildest and funniest film by director David O. Russell up to this point. Find my full review here.
After a forced long hiatus, I’m back at blogging about some of my favorite things. In an effort to make this blog more representative of my interests, my monthly round-ups will now include short reviews of books read and videogames played (even if not completed) in addition to my usual run-down of films.
Below, the first part of a set of short reviews on anything I have had the pleasure to watch in the previous months.
Until I watched Her, I was not really sure why I liked the films directed by Spike Jonze. When you watch them all together, looking at the evolving career of an artist, it becomes obvious that this a film maker interested in stories that speak about heartache, alienation, social awkwardness and the power of imagination and creativity. More importantly, Jonze’s films tend to be more substantive on larger metaphorical themes that are open to interpretation, and less focused on the specifics of a particular story. In other words, the story is a vehicle through which to express or hint at certain emotions and ideas.
It is hard not to be fan of the work of Quentin Tarantino when you watch his very bold first entry into the history of film: the violent, crude, confident and testosterone-filled Reservoir Dogs from 1992.
I have taken a blogging break due to the incredibly busy beginning of the year that I have had. This is not a complaint at all. Being busy beats being bored or unoccupied. I rather be this way than having plenty of time to waste. Since January 1st I have gone back to school (2nd master), I am still working full time, I am about to close on my first condo purchase, I managed to go on a trip to Las Vegas with my best friends and I have been a Teaching Assistant back in my alma matter. 2014 has been a great year…
This is until I turn on the TV on February 2nd and I come across a bit of news that, as John Stewart put it in the Daily Show, was a gut punch that will be hard to recover from.
Due to the holidays and a substantially less demanding workload, I was able to watch more than my usual amount of films, reaching a total of 17 films in 31 days (I actually watched Movie 43 in December, but decided to include it in my previous monthly recap).
The average score for the last month of 2013 was a respectable 2.88. However, I only watched two films that cracked 4 out of 5 or more, with only Reservoir Dogs as a clear candidate to comfortably make my much-delayed Top 250 favorite film list. Worthy of notice is that December was also very 2013-heavy, with 12 films released in the last solar year, and only one film, the aforementioned Reservoir Dogs, that was released before the turn of the 21st century.
Here are the films in the order in which I watched them:
THE FACTORY (2012) [2.5/5]