It comes 10 months into 2012 but, for the first time, I am confident enough to make my own list of the “best” films of 2011.
Imagine how important it was for me to wait until now to publish this list, that the film that eventually ends up at the top is one that I only managed to watch 3 weeks ago. Without it, this list would have been a crime against my own taste.
Instead of giving you a top 10 or a top 20, I simply give you a run-down of all of the films that received, at the very least, a 4/5 (very good) in my rating system. The result is that there are 17 films out of the almost 100 films from 2011 that I managed to watch, 11 of which received a 4/5, five films received a 4.5/5 and only one received the very rare 5/5.
Despite still missing some highly praised films released the previous solar year (it is impossible to cover them all), I now give you my favorite films of 2011 (and why they are) when we are already in October 2012:
Continue reading The Best Films of 2011 (updated)
Seeing that the Academy Awards are just around the corner, I would like to cave to the award craze and present a list that is representative of my take on the last year in film, which is intended to be a substitute of the top 10 of 2011, which I still can’t publish because I’m missing some promising films. I hope you all enjoy it.
The Year of Brad: arguably the best year in Brad Pitt’s career as he was involved in the awe-inspiring Tree of Life and the touching Moneyball.
Continue reading 2011 in film, a preview to the Oscars
As I managed to finally close a project at the firm I work in just this past weekend, the Academy Awards announced their nominations for the best in another year of film.
As always, the Academy surprises all of us, in positive and negative ways, unless you are at the ends of the spectrum of taste that is. For those who enjoy blockbusters or mainstream cinema, the Academy gave several nominations to “Bridesmaids”, “The Help” and “Puss in Boots”. If, on the other hand, you love smaller, modest films, the Academy gave space to “Albert Nobbs” or “A Better Life”. Even for those who enjoy the oddballs, art-house type films, the Academy managed to shine a light, even if it was a very dim one at that, to films like “The Tree of Life” and “Drive” (it was only nominated for technical awards).
Having said this, lets dig in deeper and talk about each category while I throw in my predictions:
Continue reading A few words about the Academy Awards nominations
There is no way I will be posting the much-required “best films of 2011” without watching some of the movies that have been branded by critics as some of the best of the year. Due to my professional responsibilities and my IMDB top 250 challenge, I have not managed to keep up with some of the most attractive offerings at the multiplex this year.
Continue reading Upcoming reviews for 2011: Incendies, Submarine, Win Win, and more…
With much left to write to update my IMDB TOP 250 film challenge, I give you a few reviews of some of the films I have seen recently.
Moneyball (2011 – Bennett Miller): not being a fan of baseball in any way, I can say it is quite an accomplishment for a film that revolves around the sport to have captured my attention so deeply. In fact, I will go out on a limb and say it is the best performance of Brad Pitt’s career and I would go even further and say he is in my short list in the Best Actor category of 2011. I confidently state it because I could not imagine anyone else playing the part of Billy Bean, the former sporting director of the Oakland Athletics that significantly changed the philosophy on how to manage a major league baseball team.
The film’s script is smart, funny and carefully crafted. It provides a great portrait of Billy as a person, exploring not only his love and devotion for baseball, but his insecurities and deeply personal struggles. The cast around Brad Pitt is equally persuasive, with the great Phillip Seymour Hoffman as a standout in the role of manager of the Oakland A’s. The cinematography is equally impressive. Baseball fields are treated as temples that are to be admired, which also serve as catalysts to people’s hopes and fears.
Props go to Jonah Hill who was convincing as Brad’s geeky sidekick.
Rating: 4.5 out of 5 (excellent)
Continue reading 1-minute reviews: Moneyball, Horrible Bosses, Matchpoint, Immortals, Like Crazy, and more…